Salsa

Salsa is usually a partner dance form that corresponds to salsa music. In some forms, it can also appear as a performance dance. The word is the same as the Spanish word salsa meaning sauce, or in this case flavor or style. According to testimonials from musicologists and historians of music, the name salsa was gradually accepted among dancers throughout various decades. The very first time the word appeared on the radio was a composition by Ignacio Piñeiro, dedicated to an old black man who sold butifarras (a sausage-like product) on Central Road in Matanzas, Cuba. It is a song titled Échale salsita, wherein the major refrain and chorus goes "Salsaaaaa! échale salsita, échale salsita". During the early 1950s, commentator and DJ "bigote" Escalona announced danceables with the title: "the following rhythm contains Salsa". Finally, the Spanish-speaking population of the New York area baptized Celia Cruz as the "Queen of Salsa".

Salsa is danced on music with two bars of four beats. Salsa patterns typically use three steps during each four beats, one beat being skipped. However, this skipped beat is often marked by a shifting of weight from one foot to the other. Typically the music involves complicated percussion rhythms, ranging from slow at about 120 beats per minute to its fastest at around 180 beats per minute (see salsa music for more).

Salsa is a slot or spot dance, i.e., unlike Foxtrot or Samba, in Salsa a couple does not need to travel over the dance floor much (although they could, if there was space and the lead decided to do so), but rather occupies a fixed area on the dance floor Salsa music is a fusion of traditional African and Cuban and other Latin-American rhythms that traveled from the islands (Cuba and Puerto Rico) to New York during the migration, somewhere between the 1940s and the 1970s, depending on where one puts the boundary between "real" salsa and its predecessors. Celia Cruz, who has been hailed by many as the queen of salsa before she died said that salsa doesn't exist as a rhythm, she said it was only an exclamation for music such as guaracha, bolero, cha cha cha, danzon, son, rumba etc [citation needed]. The famous Latin composer and musician Tito Puente also argued that there is no such thing as salsa but only mambo, rumba, danzon and cha cha cha...etc. There is debate as to whether Salsa originated in Cuba or Puerto Rico. Salsa is one of the main dances in both Cuba and Puerto Rico and is known world-wide.

The dance steps currently being danced to salsa music come from the Cuban son, but were influenced by many other Cuban dances such as Mambo, Cha cha cha, Guaracha, Changuí, Palo Monte, Rumba, Abakuá, Comparsa and some times even Mozambique. It also integrates swing dances. Salsa can be a heavily improvised dance, taking any form the interpreter wishes. Modern Salsa has elements of Jazz, funk, reggae, hip-hop and samba. There are no strict rules of how salsa should be danced, although one can distinguish a number of styles, which are discussed below. Salsa dancing is often very sexy and sweaty.

Normally Salsa is a partner dance, danced in a handhold. However sometimes dancers include shines, which are basically "show-offs" and involve fancy footwork and body actions, danced in separation. They are supposed to be improvisational breaks, but there are a huge number of "standard" shines. Also, they fit best during the mambo sections of the tune, but they may be danced whenever the dancers feel appropriate. They are a good recovery trick when the connection or beat is lost during a complicated move, or simply to catch the breath. One possible origin of the name shine is attributed to the period when non-Latin tap-dancers would frequent Latin clubs in New York in the 1950s. In tap, when an individual dancer would perform a solo freestyle move, it was considered their "moment to shine". On seeing Salsa dancers perform similar moves the name was transposed and eventually stuck, leading to these moves being called 'shines'.

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